If the gutter is wide enough, you can have them rebound with spiral binding. This is incredible useful for holding or putting a book flat. I did this to all my textbooks in college.
I came to a similar realization recently. I used to care so much about how pristine my books looked and then I realized that some of my favorite books I have found in used bookstores are ones which are written all over and have a well-worn feel to them. I now annotate all my books with pencil and also write my name in them. I love seeing a history of who's owned a given book when I open the front cover and see a name and phone number.
At that rate, you might as well buy and use an e-reader instead. It really doesn't get any more comfortable in the hands than a light device like a Kobo or whatever one you prefer.
I somewhat liked my Kobo except for how much Rakuten kept getting more aggressive with forcing their environment on me. And then my Kobo decided to wipe and reset itself on its own, losing all of my bookmarks and other data.
You should check out KOReader [1], an OSS alternative interface software for ereaders. I have it installed on my kobo and I couldn't be happier with it.
That's cool and all, but I generally prefer my text reflowable, and find PDF reading on any not-huge e-reader to be a pain in the ass. It's worth it for things that are rich in figures and formatting (like House of Leaves, many textbooks, comics and manga, etc), but for the typical novel or non-fiction book, I really do want just text and the most minimal formatting and layout instructions possible, so I can configure to my own comfort, not to whatever the publisher has decided they want me to see.
This seems like a lot of work for not a huge payoff. I get that the feel and experience of a physical book has a certain nostalgia, but for me, I'd just leave the big monster on the shelf and grab an epub from Anna's Archive. You have already ensured the author and publisher get paid, you might as well read on an e-reader, which is in my opinion superior in nearly every way to a physical book.
Ebooks sync across devices, allow for a customized presentation, quick dictionary lookups, bookmarks, etc. The only slight edge I'll give to a physical book is the ability to easily make marginal notes in pencil -- I realize that ebooks have this feature too, it's just not as immediate or as frictionless.
I had to stop reading one of my favorite authors when I was doing infant duty with my oldest. The books kept getting thicker, and I could no longer one hand them comfortably reading either end of the novel due to the book's balance. I found a kindle mostly solved my problems, and I could keep reading again one handed.
That said, it never occurred to me to just cut up my book, so I could continue to read it comfortably. I think I might have chosen to do so though, since I find the tactile nature of reading a physical book to be more memorable than digital. Where the words sit on the page, and the act of turning the page, the smell, all does something to my neurons. For my junk novels, I don't really care, but for the authors I cherish, the closer to the printed word I can get the better the experience I have, and the more memorable the writing in general.
This post isn't aimed at people that read a physical book for "nostalgia". They read a lot of books and have already decided that they prefer physical books to an ereader.
The problem with ebooks is that you cannot be 100% certain that you're reading the original text. That can only be preserved in physical copies. That's why the destructive book scanning for AI is such a tragedy. There's already plenty of examples of original texts being surreptitiously revised, and it happens with videos too.
I wonder why the publishers insist on selling thick books like that. The books I read tend to come in multiple volumes, and it's not like I would finish it all at once so I just need to carry at most one or two volumes.
I wish more books would come in the same format as the Macmillan Collector's Library series of books. They're tiny hardback books with thin pages.
I just checked my copy of Moby Dick, it's about 770 pages, but the book has a very pocket-able size of just 15.6×10×3.5 cm (6.2×4×1.4").
Nice comment section. Is it necessary to bring up ebooks whenever print books are mentioned? I haven't heard a worthwhile opinion on the matter in at least 15 years. Anyways, cool post.
I have very fond memories of reading hitchhikers guide to the galaxy with a friend in highschool. The book was old and had already started falling apart, and so we just broke it up into chapters and would pass it to the next person one chapter at a time.
Last year, ReaderLink, the country's largest distributor of books to airports, pharmacies and big-box stores, announced that it would no longer carry mass markets. The books can still be found in some places, but "as a format, I would say it's pretty much over," Ivan Held, the president of publishing imprints Putnam, Dutton and Berkley, said to the Times.
I too mourn them - much more of a convenient size than the now ubiquitous ‘trade paperback’ - but we’re obviously in a small minority.
I hate this. Of course it's your property, you do what you want with it. Do your own illustrations, annotate with abandon, get out the red pen for editing practise...
But for me, I love nothing more than reading a book so big that I practically live in it.
I recently wanted to try one of Kató Lomb's [1][2] preferred language-learning methods: getting a book in a foreign language and reading it (and re-reading it), figuring out words and phrases as if it's a big puzzle and writing them in the margins. From her book "How I Learn Languages" (1970):
> I recommend buying your own books for language learning. They can be spiced with underlines, question marks, and exclamation
points; they can be thumbed and dog-eared, plucked to
their essential core, and annotated so that they become a
mirror of yourself.
> What shall you write in the margins? Only the forms
and phrases you have understood and figured out from the
context.
> Ignore what you can’t immediately understand. If a
word is important, it will occur several times and explain
itself anyway. Base your progress on the known, not the un-
known. The more you read, the more phrases you will write
in the margins. The relationship that develops between you
and the knowledge you obtain will be much deeper than if
you had consulted the dictionary automatically. The sense
of achievement provides you with an emotional-affective
charge: You have sprung open a lock; you have solved a little
puzzle.
I can't really bring myself to write in the books themselves though, so I've been using separate paper. It feels wrong, even in a cheap book, like I'm defiling it.
I'm no polyglot, but talking and reading are very different skills.
My personal working theory:
Native speakers learn to speak first, then they learn to read and write.
From talking with high-level ESOL speakers, those that learned from written material have some very strange patterns of mistakes you can hear in their English - where they've programmed their pronunciation incorrectly very early on with basic mistakes.
Although English is an outlier here. Because English native speakers learn lots of different ways to manage how speaking and spelling are different. Plus because making speaking mistakes after learning words in books is such a social status mistake.
Personally I think if you want to learn a language, the ideal is with someone who corrects all mistakes, as though one is a baby. Although it is difficult to find this even when one can spend months in a foreign country. Not everyone feels comfortable correcting an adult.
The people that have learned English that I have spoken with that are the best all have a common trait: they've lived in a country and they MIMIC. The most amazing was a hippy Japanese guy: I remember one sentence where he shifted in the middle from broad East London to a strong Aussie accent due to where he learned the words.
I learnt conversational Spanish when I was 30. Next attempt will be 2-3 months immersed Korean as a middle aged guy so I'm looking forward to trying out my opinions!
I do like when books are wrapped, but to the idea of separating them into parts, I would say probably not worth it. Most books I find myself reading lately are pretty dense, and so my focus is on fitting material in my mind and imagination, i.e. into Gardens of the Moon right now, and I am switching between audiobook, small paperback and companion Claude code wrote for me to help me keep track and visualize what's happening. But hey, if it helps you focus on reading, and you own the book, why not? I do think it is better to just go to your library and work through what they have to offer, without buying the books, so that, hopefully leaves slicing off the table.
I would never do this normally, but when I walked the Camino Primitivo the guidebook contained other routes so was more than twice as big as it needed to. Weight matters so I tore out the bit I needed.
I read most fiction these days on my Kobo. I prefer physical volumes when I'm sitting at a desk.
Nice hardware concept, completely unacceptable software.
[1] https://koreader.rocks/
https://www.davisr.me/projects/books/
Ebooks sync across devices, allow for a customized presentation, quick dictionary lookups, bookmarks, etc. The only slight edge I'll give to a physical book is the ability to easily make marginal notes in pencil -- I realize that ebooks have this feature too, it's just not as immediate or as frictionless.
That said, it never occurred to me to just cut up my book, so I could continue to read it comfortably. I think I might have chosen to do so though, since I find the tactile nature of reading a physical book to be more memorable than digital. Where the words sit on the page, and the act of turning the page, the smell, all does something to my neurons. For my junk novels, I don't really care, but for the authors I cherish, the closer to the printed word I can get the better the experience I have, and the more memorable the writing in general.
* You own it forever
* Nothing to charge
* Don't have yet another screen to stare at
* Its the definitive way to collect books (similar in the sense of vinyl for music)
* Going to used bookstores is awesome
* Seeing your whole collection physically is awesome and can be a conversation starter
* Graphic novels/comics are still better physical
https://en.wikipedia.org/wiki/IKEA_effect
As a kid I loved "pocket books"[1] because they didn't make my hand feel weak trying to hold them on a road trip and I could fit a few in my backpack.
But, obviously, not every work was published in a pocket book format.
[1]: https://en.wikipedia.org/wiki/Pocket_Books
https://www.yahoo.com/lifestyle/articles/end-mass-market-pap...
Last year, ReaderLink, the country's largest distributor of books to airports, pharmacies and big-box stores, announced that it would no longer carry mass markets. The books can still be found in some places, but "as a format, I would say it's pretty much over," Ivan Held, the president of publishing imprints Putnam, Dutton and Berkley, said to the Times.
I too mourn them - much more of a convenient size than the now ubiquitous ‘trade paperback’ - but we’re obviously in a small minority.
> I recommend buying your own books for language learning. They can be spiced with underlines, question marks, and exclamation points; they can be thumbed and dog-eared, plucked to their essential core, and annotated so that they become a mirror of yourself.
> What shall you write in the margins? Only the forms and phrases you have understood and figured out from the context.
> Ignore what you can’t immediately understand. If a word is important, it will occur several times and explain itself anyway. Base your progress on the known, not the un- known. The more you read, the more phrases you will write in the margins. The relationship that develops between you and the knowledge you obtain will be much deeper than if you had consulted the dictionary automatically. The sense of achievement provides you with an emotional-affective charge: You have sprung open a lock; you have solved a little puzzle.
I can't really bring myself to write in the books themselves though, so I've been using separate paper. It feels wrong, even in a cheap book, like I'm defiling it.
https://en.wikipedia.org/wiki/Kat%C3%B3_Lomb
https://hn.algolia.com/?q=Kat%C3%B3+Lomb
My personal working theory:
Native speakers learn to speak first, then they learn to read and write.
From talking with high-level ESOL speakers, those that learned from written material have some very strange patterns of mistakes you can hear in their English - where they've programmed their pronunciation incorrectly very early on with basic mistakes.
Although English is an outlier here. Because English native speakers learn lots of different ways to manage how speaking and spelling are different. Plus because making speaking mistakes after learning words in books is such a social status mistake.
Personally I think if you want to learn a language, the ideal is with someone who corrects all mistakes, as though one is a baby. Although it is difficult to find this even when one can spend months in a foreign country. Not everyone feels comfortable correcting an adult.
The people that have learned English that I have spoken with that are the best all have a common trait: they've lived in a country and they MIMIC. The most amazing was a hippy Japanese guy: I remember one sentence where he shifted in the middle from broad East London to a strong Aussie accent due to where he learned the words.
I learnt conversational Spanish when I was 30. Next attempt will be 2-3 months immersed Korean as a middle aged guy so I'm looking forward to trying out my opinions!
I read most fiction these days on my Kobo. I prefer physical volumes when I'm sitting at a desk.